Grammar of Music

Path

What to study before Modal interchange

Chords taken from the parallel key, changing a degree's colour without changing the centre. Below, the concepts that come before, in the order in which one explains the next. Signed in, you see the same path minus what you already hold: your path.

  1. Notes and semitones

    The seven letter names, the accidentals that alter them, and the semitone as the system's smallest step.

    Level 0lesson Notes, semitones and the rule of names (Harmony for people who play)

  2. Intervals

    The distance between two notes, measured by a number taken from the letter names and a quality taken from the semitones.

    Level 1has practicelesson Intervals, in number and quality (Harmony for people who play)

  3. Major scale

    Seven degrees built on a fixed sequence of tones and semitones, and the reference everything else is measured against.

    Level 1has practicelesson The major scale is a formula (Harmony for people who play)

  4. Triads

    Three-note chords stacked in thirds, and the four qualities that result.

    Level 2has practicelesson Four triads, and the third that decides (Harmony for people who play)

  5. Diatonic harmony

    The chords that arise from stacking thirds on each degree of a scale, and why each quality lands where it does.

    Level 3has practicelesson The major harmonic field (Harmony for people who play)

  6. Key signatures

    The fixed accidentals at the start of the staff, their invariable order, and the circle of fifths that organizes them.

    Level 1lesson Key signatures, and the fixed order (Harmony for people who play)

  7. Minor scales

    The three forms of the minor scale — natural, harmonic, and melodic — and what each alteration solves.

    Level 2has practicelesson Three minor scales, and one problem each (Harmony for people who play)

  8. Harmonic function

    The role each degree plays — tonic, subdominant, or dominant — and the tension that moves one to the next.

    Level 4lesson Seven chords, three roles (Functional harmony for people who play)

  9. Modal interchange

    Chords taken from the parallel key, changing a degree's colour without changing the centre.

    Level 5lesson Borrowing from the parallel (Colour and change)