Roman numeral analysis
How to name a chord by the degree its root stands on: the numeral's case and its marks (°, +, 7, maj7, ø7, °7), the chords of C major and of A harmonic minor, the figures of the inversions, and the chords from outside the key: secondary dominants, secondary leading-tone chords, borrowed chords and tritone substitutes. Every example is on the staff, in C major or A minor.
What comes in the PDF
- Markscase, °, +, 7, maj7, ø7, °7
- Inversionsthe figures of triads and seventh chords
- Outside the keysecondary dominant, secondary leading-tone chord, borrowed chord, tritone substitution
- Pages5
- FilePDF, prints in black and white
- PaperA4 and Letter
- LanguagesEnglish and Português — your library has them all